Examiners, scientists, and the files they have signed.

Ken Iliadis is a Licensed Professional Physicist with over three decades of experience in vehicular accident reconstruction. Based in Toronto, he has spent his career applying the principles of physics and engineering to some of the most complex and consequential collision cases in Ontario. His work spans the full spectrum of reconstruction — collision severity and sequence, vehicle crush and dynamics, seat belt use and effectiveness, illumination and visibility, road design, and bicycle and pedestrian accidents. He holds a Bachelor of Science in Physics from the University of Western Ontario, has pursued post-graduate coursework in Transportation Engineering, and has been a Licensed Professional Physicist with the Canadian Association of Physicists since 2000. Since 2007 he has also served as a Senior Reconstructionist with the Special Investigations Unit of the Ontario Ministry of the Attorney General, called upon specifically in cases where police involvement and serious or fatal civilian injuries demand the highest standard of technical scrutiny.

Ken has reconstructed hundreds of high-speed and complex collisions over his career, testified as a qualified expert witness in civil and criminal matters before the Superior and Provincial Courts of Ontario, and conducted original research that has had measurable real-world impact — most notably leading a national study on first-generation airbags whose findings contributed directly to the industry-wide depowering of airbag systems, reducing injuries and fatalities across the country. His technical toolkit includes 3D laser scanning, photogrammetry, PC-Crash simulation software, Event Data Recorder analysis, and forensic animation — tools he has not only used in practice but has trained others on and presented at conferences ranging from the SAE World Congress to the Canadian Multidisciplinary Road Safety Conference. His research has been published in peer-reviewed proceedings and industry publications, with work on snowmobile dynamics and automotive black box data recorders reflecting a practitioner who engages seriously with the science behind the discipline.

Recent training includes electric vehicle safety and mechanical inspection, advanced photogrammetry applications, crash data retrieval updates, and forensic pathology — reflecting the reality that modern reconstruction increasingly intersects with emerging vehicle technologies and adjacent forensic disciplines. Ken is an active member of seven professional organizations including the Society of Automotive Engineers, the Canadian Association of Technical Accident Investigators and Reconstructionists, and the Institute of Transportation Engineers, and currently serves as Vice-Chair of the Board of Directors of the Canadian Association of Physicists Foundation.

Hans leads the firm's digital and computer forensics practice. His work covers the full landscape of digital evidence — from forensically sound imaging of storage media and recovery of deleted data, to mobile device examination, network log analysis, and live-system memory capture. He has supported criminal investigations, civil litigation, internal corporate investigations, and electronic discovery engagements where the integrity of the digital record is the central question.

Hans approaches every engagement with the same methodological discipline that distinguishes credible digital forensics from ad-hoc IT investigation: hash-verified acquisition, documented chain of custody, transparent methodology, and findings that are explicit about what the evidence establishes versus what it merely suggests. He is particularly experienced in the analytical work that follows extraction — interpreting whether activity reflects deliberate user action, automated system behaviour, or external intrusion, distinctions that often determine the outcome of fraud, insider-threat, and cybercrime matters.

Michael Fletcher brings over 25 years of professional audio engineering experience to his forensic work, with a career that spans live recording, studio production, audio mastering, and audio restoration. He began in 1997 with Ravensound, a mobile recording operation specializing in live album capture, before moving into studio work as an in-house engineer at The Rogue Studios. Over the course of his career he has worked with some of Canada's most recognized musical talent — including Jeff Healey, Platinum Blonde, Ashley MacIsaac, Hawksley Workman, Nash the Slash, and Die Mannequin, among many others. He is fluent across all major DAW platforms and maintains working proficiency with the full range of professional recording, mastering, and restoration software in current use.

That depth of hands-on experience is what distinguishes Michael as a forensic audio examiner. Understanding how sound is captured, processed, stored, and manipulated at the engineering level — not just the analytical one — provides a foundation for forensic work that purely academic training cannot replicate. He brings to every examination an intuitive familiarity with the artifacts, anomalies, and signatures that recordings produce under different conditions, and an ability to recognize when something in a recording does not reflect how it was represented to have been made.

Michael is also an accomplished author whose debut novel was published worldwide by HarperCollins in 2015 and translated into eight languages. He has since published sixteen novels and received multiple award nominations, including a recent shortlisting for the World Fantasy Award. That background in professional writing informs his role at Forensics International, where he serves as report writer and editor with a specific focus on translating complex technical and forensic findings into language that is precise, accessible, and effective in legal contexts — a skill that is rarer, and more valuable, than it might appear.